Tuesday, 21 February 2017

Churchill on UFO's

The famous wartime UK Prime Minister Winston Churchill has always been a man of mystery and controversy and that continues to this day. Numerous histories and biographies have been produced about him that portray him in all kinds of different lights. Fifty-two years after he died new evidence is still appearing, and the latest revelations are the most remarkable yet. The old statesman had many hobbies and interests, and one of those was popular science. He was interested in the idea of extraterrestrial life and wrote an article about it in 1939 that has only just been discovered. He intended it for the newspapers, but it was never published. He understood the concept of the "Goldilocks zone", the narrow gap between the minimum and maximum distance from a star that a planet must be in order for water to exist in liquid form, an essential ingredient for life as we know it. Too close and the star's heat will turn any water to steam; too far away and it will only be found as solid ice. Churchill knew that life was possible on planets around other stars, but he thought only Venus held any prospects for it being found in the solar system along with Earth. We knew almost nothing about Venus in those days; since then we've found out from the Venera programme that it is probably the least likely place life could ever exist with its dense superheated atmosphere. It also seems that the Goldilocks zone is bigger than we first thought because there is liquid water on the moons of the outer planets and possibly life there too. Source: http://www.bbc.co.uk/news/science-environment-38985425. Winston Churchill also took the idea of UFO's seriously throughout his premiership. Recently released British government files show that there was a real "X-Files" style project to address the UFO issue that was active in the late 1950's and probably earlier. Churchill himself was briefed on the subject during World War II when RAF aircrews reported encounters with strange objects while flying on combat missions. This is probably connected with the stories of "foo-fighters" that were well known among aviators in the war. The Prime Minister was so alarmed by the phenomenon that he ordered the matter classified for at least fifty years. He was concerned that it might cause "mass panic" if released. Considering that the British public coped very calmly with the Blitz, U-boats and their sons dying in foreign fields, it indicates how gravely the government regarded the UFO situation. Source: http://www.bbc.co.uk/news/uk-10853905. Also in the newly released files are details about the Berwyn Mountains incident and the "spaceman" at the Blue Streak missile test in Australia in 1964. At the same moment on the other side of the world in Cumbria, England a second spaceman was captured in an amateur photo; see background links below. The files are at the National Archives and are free to download for a month, so grab them while you can, see: http://www.nationalarchives.gov.uk/ufos/.

Monday, 20 February 2017

Philip Pullman- New Book and Film

Because I watched Never Let Me Go the other night, see: http://hpanwo-voice.blogspot.co.uk/2017/02/never-let-me-go.html, parallel universes are at the forefront of my mind. Therefore it was inevitable that my thoughts would settle back on the greatest alternative universe story of all; The His Dark Materials trilogy by Philip Pullman and its associated spin-off novellas; Once upon a Time in the North and Lyra's Oxford. Beginning in a parallel universe version of my own hometown, these books enthralled me like no others. The first novel, The Northern Lights, was adapted into a troubled film production, The Golden Compass, see: http://hpanwo.blogspot.co.uk/2008/01/golden-compass.html. I enjoyed this film immensely, but I saw it before reading the book. Existing fans of the books are divided over it. It was a brave effort and it might have been better received if it wasn't for the organizational problems related to it, most notably the first director walking out halfway through and having to be speedily replaced with a newcomer. The ending of the movie is very abrupt and truncated, and it happens in the story long before the natural pause given by Pullman when he wrote The Northern Lights. I, along with all the books' fans I daresay, eagerly anticipated the release of the two sequel films of The Subtle Knife and The Amber Spyglass. Production was due to resume in 2007, during a decade when we'd seen the films of other fantasy books like Tolkien's Lord of the Rings and Lewis' Chronicles of Narnia. Nobody doubted His Dark Materials would be reproduced in full for the big screen too. However the studio cancelled the series after The Golden Compass missed its box office target. There may well have been political pressure put on them from the church in the United States of America because of the story's atheo-humanist themes. Materials are what Richard Dawkins would call "strident" books. However it has been revealed that the BBC plan to make a new television adaptation. They have called in Jane Tranter to produce, somebody I have written about before; but I've changed my mind considerably since penning this screed back in 2009. I'm willing to give the Beeb a chance, see: http://hpanwo.blogspot.co.uk/2009/01/new-doctor.html. Source: http://www.salon.com/2016/04/04/his_dark_materials_fans_rejoice_this_new_adaptation_could_actually_do_philip_pullmans_novels_justice/.

At the same time Philip Pullman has announced that 2017 will be the year of the publication of the first instalment in a new series of books set in the His Dark Materials universe... or universes. The Book of Dust is a project he's been mulling over for some time and he mentioned it soon after The Amber Spyglass came out. As a prose writer myself I know it is not always possible to put pen to paper in any way before thinking about the story for a long time. My latest book Roswell Rising- a Novel of Disclosure, is a rare exception. I came up with the idea almost instantly, see: http://hpanwo-bb.blogspot.co.uk/2016/08/roswell-rising-is-here.html. Pullman describes The Book of Dust not as a prequel or sequel, but an "equel", taking place over the same time period as Materials. It will include at least one of the Materials' characters, the heroine Lyra Belacqua; source: http://www.bbc.co.uk/news/uk-38978023. I will be in the queue outside the bookshop on launch day. It will probably be first released in Blackwells Oxford like all Pullman's other books and hopefully I'll be able to get him to sign it. Despite my love of his writing, Philip Pullman is definitely not above my criticism; far from it. I am particularly bothered by his antipathy towards CS Lewis which is totally disproportionate and frankly obsessive. In Alister McGrath's new biography of Lewis, CS Lewis- a Life, he reports that Pullman says he was tempted to exhume Lewis's grave and throw stones at his corpse. Source: https://www.amazon.co.uk/C-S-Lewis-Eccentric-Reluctant/dp/1444745549. Philip, what has the man ever done wrong except write some books you don't like? Pullman also claims that in the Chronicles of Narnia book The Last Battle, Susan, a young female character was sent to hell for being interested in clothes and boys. I myself disliked this element of Lewis' plot, but Pullman's statement is a gross misrepresentation of what really happened. Pullman considers Narnia religious propaganda, but it is no more that than his own books are non-religious propaganda. This is not the first time I've encountered such atheist and skeptic hypocrisy, see: http://hpanwo-tv.blogspot.co.uk/2016/07/skeptics-who-are-they-why-are-they.html. If only Pullman's own books were not so magnificent, then he could become one of my figures of derision, perhaps even rivalling Prof. Brian Cox. I look forward to the new books and films enormously.
And: http://hpanwo-radio.blogspot.co.uk/2015/06/programme-142-podcast-cern-special.html.

Sunday, 19 February 2017

Never Let Me Go

I'm going through a phase where I'm re-watching a lot of old films. I've been tempted to throw out some of my DVD collection because they're taking up too much space in my bedroom, but I'm glad I haven't. A few days ago I watched Eternal Sunshine of the Spotless Mind again for the first time in years, see: http://hpanwo-voice.blogspot.co.uk/2017/02/eternal-sunshine-of-spotless-mind.html, and last night I watched a romantic tragedy called Never Let Me Go, a 2010 movie based on a book by Kazuo Ishiguro, who is British by nationality, but I'm guessing by his name has Japanese roots. Trailer: https://www.youtube.com/watch?v=sXiRZhDEo8A. It stars Carey Mulligan, Keira Knightley and Andrew Garfield. At the start of the film the three central characters are played by children because the setting is a traditional English boarding school. There's a lot of intrigue during this act because it quickly becomes clear that there is something highly unusual about this school. The children have no parents. They have only single-letter surnames like "Kathy H", "Ruth C" and "Tommy D". They also have tags on their wrists which they have to scan against electronic locks every time they pass through a door. It is soon revealed that these children are all genetically modified clones. The setting is actually some kind of parallel universe. Most things in it are the same as our world, but there are a few important differences. Human cloning has been perfected and this has led to massive medical breakthroughs. The downside is that the clones at the school are necessary for those treatments and that it involves their vital organs being used for transplantation. This eventually and inevitably leads to their premature death after their third or fourth harvest, which is euphemistically termed "completion". Some clones "complete" on their first donation. Few of the clones survive beyond their early thirties. The school is an experiment into the medical ethics of the practice; they want to know exactly how close to natural humans the clones are, and the kids are made to draw pictures and write poetry to see if they "have a soul". This is a concept I'm familiar with because it is a part of the story in one of my favourite novels, Friday by Robert Heinlein, see: https://books.google.co.uk/books/about/Friday.html?id=e_4wKQAACAAJ&source=kp_cover&redir_esc=y. This is about a female secret agent of the future who is also a clone and has a very human side to her indeed, far more so than many of her natural born fellows. In the movie the viewer is left in no doubt that the answer the question is yes. The clones are portrayed exactly like normal humans, physically and mentally. In fact the central storyline involves a tragic love-triangle between the main characters. As their "completion" approaches the lovers struggle for more time on this earth (or that alternative one) to be together. What interests me is that it never occurs to the characters to refuse to donate their organs. There appears to be no coercion in the process; the clones are permitted to live normal lives in ordinary homes. Some even have cars and they interact with natural humans as equals. They're not imprisoned in camps and tied down to the operating tables, as is rumoured to happen in China to political prisoners. So why do they never object? I suppose if they were all locked up and forced to donate their organs it would make it a less interesting story. The idea of parallel universes is a fascinating one and now even serious scientists are considering it. Is there a real universe out there, in the distant reaches of hyperspace, where the scenario in Never Let Me Go is really going on? Could the Illuminati be planning to access it with the Large Hadron Collider at CERN? The film gave me some strange dreams last night.

Saturday, 18 February 2017

Students' Magazine

The students from the University of South Wales who came all the way to Oxford to interview me have published their magazine which includes their article about me. See here for essential background: https://hpanwo-voice.blogspot.co.uk/2016/12/interviewed-by-students.html. The magazine is not published anywhere and only circulated in within the university as part of the course, but the leading author and publisher, Sophie Main, has sent me a copy and given me permission to post screenshots, see images below. It also has a website, see: http://neuxsusw.wixsite.com/nexususw, and here's my own page: http://neuxsusw.wixsite.com/nexususw/ben-jones. I was highly amused to find out that their magazine's name is Nexus. As regular readers will know, I'm a big fan of another magazine called Nexus and have subscribed to it for years, but it is very different indeed, see: https://www.nexusmagazine.com/. Their description of me is reasonably fair and representational, a far cry from my previous treatment by the gutter press, for example see: https://hpanwo-voice.blogspot.co.uk/2011/10/my-interview-in-wales-on-sunday.html and: https://hpanwo-voice.blogspot.co.uk/2011/09/my-interview-in-sun.html.

Friday, 17 February 2017

Up Yours, Blair!

Tony Blair, the former Prime Minister and former chairman... sorry, chairperson... of the Fabian Society, has stooped to a new low. I didn't think I could possibly loathe him more than I already did. Blair, after lying to the public to start a war in the Middle East which he boasts "only killed one hundred thousand people," has given a speech to the Open Britain campaign group which would win the greatest accolade for Remoaning, if such an award is ever devised. Source: http://www.bbc.co.uk/news/uk-politics-38996179. (If you've got the stomach for it, here's a recording of the full speech: https://www.youtube.com/watch?v=OOqMfKAM9Bo). For me Blair is the epitome of the new left. He claims to "support democracy" with two exceptions; when it's not being practiced by a useful Third World despot, and when it doesn't go his way on the home front. Then he favours dictatorship. He says that "I want to be explicit... the will of the people should prevail..." yet his commitment to democracy means he plans to ride roughshod all over the European Union Referendum Act of 2015, the result of the 2016 EU Referendum itself and now the Article 50 Bill of 2017, see: http://hpanwo-voice.blogspot.co.uk/2017/02/mps-back-brexit-now-shut-up-and-do-it.html. In his speech he patronizes the Leave voters. When you take away his prevaricating flannel he is telling people like me we never really knew what we were doing. We were too stupid to understand the real issues involved. This is despite the fact that both sides in the campaign worked very hard to educate the electorate of this. There was even Cameron's infamous leaflet, see: http://hpanwo-tv.blogspot.co.uk/2016/04/david-camerons-leaflet.html. It was the centre of attention on every news programme and political analytical show on TV and radio. Blair now claims he can "persuade" us to change our minds. The good news is, I think his credibility being what it is, his speech today was the last nail in the coffin for the Remoaners. I don't like using swear words on HPANWO, so I'll just have to end the article here...

Thursday, 16 February 2017

Eternal Sunshine of the Spotless Mind

It's been a few years since I watched this film, one with the most intriguing title; Eternal Sunshine of the Spotless Mind. (Trailer: https://www.youtube.com/watch?v=yE-f1alkq9I) This is a line from the epic poem Eloisa to Abelard by Alexander Pope. I was in the mood for it because it's a story about Valentines Day, which has just past. I'm also in a similar situation to the main character, a man called Joel Barrish, in that I've been recently estranged from my lover. It's true that Ustane and I split up over three months ago, but we were together eight years so three months feels recent. This is the first Valentines Day since we met that she's not with me, so I hope you'll sympathize if it affects me. Although I'm not as cynical as Joel when he says: "a holiday invented by greetings cards manufacturers to make people feel like crap!" The setting is contemporary New York City USA. I don't know why so many movies are set in that one place. It must be hard to walk the streets of the Big Apple without bumping into a film crew. Joel is played by Jim Carrey in one of his best non-comedic roles. Joel has split up with his girlfriend Clementine, played by Kate Winslet with a performance that almost won her an Oscar. This is where a science fictional element comes in because both Joel and Clementine have their memory of each other erased. This is done by a company appropriately called "Lacuna Inc" using a pseudoscientific method that is not explored in detail. The process goes: first the customer must collect all the objects that they associate with the person or event they want to forget and bring them to the Lacuna office. Then the two rather nerdy and immature technicians make a "map" of the memory by brain-scanning the patient as they look at the objects. Lacuna than disposes of the objects so the patient won't find them lying around their home and wonder what they are. All the customer then has to do is go home and take some medication that renders them unconscious overnight and the technicians come into their bedroom and erase the memories as they sleep. All their mutual acquaintances are sent letters from Lacuna explaining what has been done and asking them not to discuss the matter with the customer. Most of the action takes place in the surreal dreams of Joel as his memories of Clementine are annihilated one by one. His dreams quickly become lucid and he realizes what is happening. He even opens his eyes and sees the technicians at work, but he can't move or speak because the process has a paralyzing effect. He then realizes that his memories of his lost love include a lot of joy as well as pain. He regrets that he agreed to the memory erasure and realizes that it was just an instinctive reaction to his hurt and anger at their split. He desperately longs to stop the process and tries as hard as he can, but he fails. It's a very moving part of the story. However, during one of his last memories of Clementine, she whispers to him the words: "Meet me in Montauk." There must have been some kind of telepathic event going on there because they both do. They meet again, this time believing they are total strangers, discover their lost mutual history and reconcile.
Unlike Joel and Clementine, Ustane and I parted with goodwill. Although I miss her, especially at this time of year, I feel no animosity towards her. I treasure the memories of our relationship enormously and would hate to lose them. However I know that human memory is fragile. It can be weakened and distorted very easily. Sometimes this take place in significant ways, as with the "Mandela Effect", see background links below. Sometimes memory loss happens naturally, with the passage of time or tragic disorders of the brain like Alzheimer's disease; but it can indeed be rendered artificially. One of the goals of the various government mind control projects is to eliminate and/or falsify human memory. They do this using various systems. One is media propaganda. As in George Orwell's 1984 in which the people really do believe Oceania has always been at war with Eastasia, modern media services can convince us of similar things. The best example relates to Muammar Gaddafi, the president of Libya for forty-three years. First he was presented as a bad guy, then a good guy and then a bad guy again. Behind that are mind control methods using direct biological interventions like drugs, electronic implants and surgical modification of the brain. This idea might sound extreme and unlikely, but it's not, it's real; see background links at the bottom. It's odd that in a film about mind control part of it should be set in Montauk. Montauk is a small seaside town on the eastern tip of Long Island, New York USA, but it is home to the disused military base Camp Hero. In the early 1980's people such as Preston Nichols, Stewart Swerdlow and Al Bielik began to talk of an underground psychological and psychotronic warfare research facility beneath Camp Hero. This was predictably dismissed as a "conspiracy theory", yet when The Discovery Channel did an investigation there they found flooded tunnels in the exact spot the witnesses said they could be found. It makes me wonder where film makers, even mainstream ones, get their ideas from. Eternal Sunshine of the Spotless Mind is an original, fun and thought-provoking film. I really enjoyed it.

Tuesday, 14 February 2017

Is Larry Warren a Fraud?- Part 7

See here for essential background: http://hpanwo-voice.blogspot.co.uk/2017/02/is-larry-warren-fraud-part-6.html. The battle for Larry Warren has settled down again, but this time on a higher plateau. I continue to find daily threats of legal action in my inbox, for all the various laws that I haven't broken. The bollocking I got off Larry's solicitor is clearly not enough for these people; they want more revenge. I've also been informed by some individuals, those with access to the expanding event horizon of cyberspace shut off from my gaze by the wall of blocked social media users, that my name continues to be blackened. I am alleged to be in possession of the addresses of all the letter's recipients and I apparently intend to publish them, or pass them on to the first homicidal axe-murderer who comes my way. The good news is that nobody outside the echo-chamber of the anti-Larry Warren cult believes this claptrap... and frankly I question how many within it do.

There has been a development concerning the A10 photograph. We have, for the first time, independent contact with Barry Greenwood. Gary issued this statement on February the 1st:
In late January 2017 I put out a magazine statement saying that Larry Warren had found the original A10 colour print. I stated that a 600 dpi scan should be taken of the original print and that either the original or the high-resolution scan should be sent to the renowned photo analyst Bruce Maccabee as he had been involved in the earlier analysis of the enhanced A10 image produced by Richard Martens in 2014. In recent days I became aware of a statement made by Barry Greenwood, the respected US co-author of the book Clear Intent, which had included several pages devoted to the Rendlesham Forest incident. He stated that he had a set of original scan images that Larry Warren had given to Barry's co-author Larry Fawcett showing pictures of the forest, that he believed were taken during Larry’s honeymoon in 1985. Given the fact that I had reported the A10 story in UFO Truth Magazine- Issue 10, I feel a sense of involvement to investigate the story to its conclusion. In recent days, I have been in direct communication with Barry Greenwood to try and clarify the origins of the A10 image. As a result, he sent me nine sets of three photos, twenty-seven pictures in total, all at the 600 dpi resolution, which he stated were Larry’s pictures of the forest taken during his honeymoon in the summer of 1985. These photos included the A10 image which people are familiar with. When I examined the high-resolution image he supplied of the A10 photo it immediately became clear to me that it was by far the best quality image of the A10 picture I had ever seen and that it did not show anomalous images above the aircraft.
If the high quality image does not contain any anomalous image then it begs the question, where did Robert Marten’s get his A10 picture from in which to make his enhancements? Martens stated that he had copied the picture from a photo album that was on Larry Warren’s original Facebook page. Note: Larry Warren will state that his original FB page was hacked in the summer of 2015 and he lost access to all of the photos contained in the albums on his page. That hacking forced him to create another FB identity profile page in the name of "Lawrence Warren". Larry Warren’s account in brief is that he took the A10 image on the morning of the 27th December 1980 using a Keystone 110 camera and that he’d taken a few random shots of the base and forest before going into Ipswich with several friends; and then returning to the base later in the day so he could go onto shift later that night, a night that would become the third night of UFO activity at the base. For over thirty years Larry Warren had paid no attention whatsoever to the A10 image because he had never seen anything other than the A10 aircraft and the forest in the picture. However, that all changed in the summer of 2014 when he was contacted by Mick Sayer on Facebook who told that he believed there was 'something’ above the A10 aircraft. Then he was contacted by Robert Martens who sent him what he said was an enhanced image of the strange object seen above the A10 (and supposedly derived from the A10 image in Larry Warren’s original FB album). This enhanced image clearly showed a structured-like object above the A10. Larry was amazed by this ‘find’ and told me about it which led me to write the article that appeared on it in Issue 10. At the end of the article I stated that there was a need for the original negative to be found to confirm the anomalies seen above the A10.
Barry Greenwood believes that the high quality image of the A10 is from the summer of 1985 whilst Larry Warren maintains that it was taken on December 27th, 1980.  Within the nine sets of three images that Barry Greenwood sent me there were several that contained images of a man and a woman walking around the forest and wearing light clothing and not carrying any coats. One of the sets also showed a picture of Larry Warren himself wearing a light cardigan type top and not carrying any coat. The light clothing and lack of coats appears to be consistent with them having been taken during spring or summer period and do not appear to have been taken during midwinter and thus appears to be consistent with Barry Greenwood’s belief that they were taken during the summer of 1985 whilst Larry Warren was on his honeymoon in the UK.
Only one person can be right? Was the A10 image taken in 1980 or in 1985?
How can the Barry Greenwood ‘original’ A10 image show no anomaly whilst the Larry Warren ‘original’ print appears to show at least one anomalous image? Ultimately, as Barry Greenwood suggests in his email to me, there is a need to examine the original batch of negatives for both the Bentwaters series and Larry Warren’s honeymoon photos, however, as far as I am aware, the negatives for both sets cannot be found and almost certainly after several decades are unlikely ever to be found. I want to add one point on the A10 date controversy especially in light of the high resolution image supplied by Barry Greenwood: If the A10 picture was taken during the summer of 1985 how come the ground ferns which are everywhere in the forest are brown in colour? During spring and summer the ferns are predominantly green and litter the ground extensively. I can attest to this as I have visited Rendlesham Forest in the summer on several occasions. I find the colour of the ferns in the foreground of the photo being brown to be a very strong indicator that the A10 photo had been taken in December 1980 as Larry Warren has always stated and not in 1985.
Given the Greenwood images, I went back to Larry Warren for an explanation. This was his response sent to me today on Wednesday 1st February 2017:
'Gary...............Larry Fawcett attended my wedding. When I got back I GAVE him and his wife Lois some pictures of our visit to LONDON.... Cin (Larry's wife) and I went to Ipswich one day and to Bentwaters.........the airman I don't recall his name...........yes, some pictures ARE of the place with my wife in them. The A10 picture follows right after the main gate alert photo as found in our book...........has ZERO to do with '85.... In '85 F15's were the aircraft at Bentwaters.........When Fawcett died, Lois GAVE Greenwood ALL of Larry Fawcett's archives including photos....I had provided the A10 picture to LF with others for the Japanese to use on pre-shows before I went to Japan in 1984 and it and other service related shots were used by the Japanese in a 1984 TV show in Tokyo.........of course I had no idea what was in the shot...........ANY negatives are long gone....i.e. the 110 ASA negs........due to moves, a major flood at my sisters in the 1990s etc. Hope this helps cheers L.'
*Note: this has had some of the grammar and spelling corrected for easier reading. I have checked the records for Bentwaters and at least one squadron of A10's were still operational from Bentwaters until the late eighties so that information does not add to the evidence either way.
These developments do cast some doubt as to the origin of the A10 photo especially the year it was taken but without the negatives I don’t think we will ever know the definitive answer. Given the discovery of the relevant negatives being highly unlikely I believe that the colour of the ferns shown in the foreground of the A10 image, ie brown, offers the most compelling circumstantial evidence that the picture was taken in December 1980. As for the anomalous images found in 2014, Larry cannot offer an explanation as to how Robert Martens managed to enhance Larry’s FB A10 image to the level he attained. I myself have tried to enhance the image above the A10 but cannot get anywhere near the structured-like shape that Martens produced and the level of detail he attained is a mystery to me. One thing I am pretty certain of is that the original Barry Grenwood print of the A10 does not contain any anomalous images yet I cannot think of one logical reason why someone, Larry Warren, would go to the trouble of fabricating a hoax image, placing it on Facebook in 2011 in the blind hope that some unknown eagle-eyed person on FB might spot it and thus change history. Bearing in mind that it is a matter of public record that Larry Warren has never claimed to have seen any anomalous image (s) in his original print during the decades he has had it in his possession until he was made aware of an anomaly in 2014 on FB by Mick Sayer. In effect this renders the Martens' enhancement picture to be a mystery in itself and should be considered unsound in terms of proving that there was a genuine anomalous object above the A10. Personally having looked at all the evidence I do not believe that there was one. As I have always said, the evidence falls where it falls and I will not back away from publishing the facts, whether I like them or not. These are the facts as I know them to be. I want to personally thank Barry Greenwood for his cooperation and for the excellent photos he supplied to me.
On a final note, I want to make this point, these developments do not alter my opinion that Larry Warren was the original witness whistleblower for the Rendlesham Forest Incident and that he was involved in the third night of UFO activity on the base. His involvement is a matter of public record as a result of the testimonies of both Sergeant Adrian Bustinza, airman Steve Longero and others who place him there and being involved in the third night of activity. I will be placed this update in the forthcoming issue of UFO Truth Magazine Issue 23.
Gary Heseltine Editor, UFO Truth Magazine"
So there are as many additional questions here as there are answers. I wonder if we will ever find the truth, seeing as the negatives are gone.

However, are there any prints currently available we can consider accurate? I was contacted by somebody whom I'll call "Joan"; that is not her real name. She is a scientist working in the academic sector and in her position, publicly proclaiming any interest in UFO/conspiracy/paranormal matters is not career-enhancing, to put it mildly. Joan has analyzed the photograph given to Gary by Barry Greenwood. One of her jobs at work is to enhance images for publication in scientific journals. She is concerned by a dark blob and a white line on the scan of the print which is roughly where the anomaly appears in the Sayer/Martens image. There is supposedly nothing anomalous present, but these artefacts can be seen looking closely. The A10 aircraft in Greenwood's print looks thin, as if there's been some resolution loss from additional processing. It's also at a slightly different angle to the one in the first print. This could indicate a montage, a print produced from two different images superimposed. This is a common method of blanking out some kind of detail that one wishes to hide. This is most certainly not definitive, and I must make it very clear (even though I know certain people are going to put words in my mouth no matter what I say), I am not in any way accusing Barry Greenwood, Lawrence Fawcett or any other individual of tampering with the image under discussion. Larry Warren's support team are not pursuing this matter at present and I am mentioning it here completely of my own independent volition; I do not speak on this matter for Larry or any of his friends and helpers, only for myself. Joan has corresponded with me alone and has not approached any of them at all. I personally think it could be significant and wish to place Joan's discoveries on the record.
There's been progress on the analysis of the photos published by Sacha Christie which I talk about in Part 4. I pointed out that the mirror image looked as if it had been altered, see: http://hpanwo-voice.blogspot.co.uk/2017/01/is-larry-warren-fraud-part-4.html. The above image, rendered by Tino, has the upper part of Larry Warren's face superimposed next to that of the reflected face. The reflection is far too indistinct to get a provable positive ID, as I've said before. I must say it does look rather familiar... but I will not name the person I think it is because I cannot prove it. However I think we can all honestly agree who it is not: Larry Warren. There is a lot of work going on in progress that I know of that I am not currently at liberty to discuss, but I'm very excited about what is to come. As I said in the background article at the top, Larry is going to be exonerated and all this nonsense will soon be over.