The BBC has not always been as horrific as it is today.
There was a time thirty or forty years ago when it occasionally delivered quality
content. At one point the Beeb even had a great tradition in situation comedy.
One part of this excellent range of sitcoms has sadly been forgotten. The only
copy I could find was a poor quality conversion from an old and fuzzy
home-recorded VHS, see: https://www.dailymotion.com/video/x2ir1w4; (The
subsequent five episodes will be on the recommended list.) however it is not so
bad as to be unwatchable. This unknown 80's VHS user did the world a great
service. A Small Problem ran for just
a single season; the standard six half-hour episodes. During its brief incarnation
on the screen it was enormously controversial. The BBC was inundated with
complaints from viewers. I remember watching the media outrage at the time. One
of the viewers was even interviewed by the media in a flood of tears. My
grandmother was furious about the show and told me that I, a child at the time,
should be ashamed of myself for watching it. However, even back then, I knew
better. A Small Problem tells the
story of Roy Pink, an ordinary middle class man from north London
who one day comes home to find his house boarded up, his dog euthanized and his
neighbours and former friends ostracizing him. You see, poor old Roy
doesn't live in our world. He lives in a parallel universe where all people
under a certain height are officially designated as second-class citizens known
as "smalls". He is forced into a grotty slum in south London
called Adelphi House where he lives in extreme poverty with other smalls. The
smalls need special permission to leave their ghetto and have to carry a
passbook around with them outside it. All police are armed with portable rulers
to measure the height of members of the public to check whether or not they are
smalls. Roy denies that he is a
small; in fact his catchphrase throughout the series is: "I'm not a
small!" Actually he never used to be because he is a touch short of
five-foot-one and to be a small you have to be under five feet tall. However,
with the rise of the European Union, then called the "European
Economic Community ", Britain
switches to metric measurements and sets the small cut-off point at one metre
fifty-five which when converted puts Roy
just below that by a single centimetre. He is therefore reclassified as a small.
Roy Pink continuously appeals against the decision at the
"Registry of Heights" and is constantly turned down. His brother
George reluctantly disowns him, as does his sister-in-law Heather less
reluctantly. He is forbidden from contacting his nephews and is subjected to
constant harassment and humiliation by the police and non-small citizens. They
hurl abuse at him with the epithets: "shrimpo!" and "midgeo!"
The history of and the reason for this social segregation and discrimination is
never revealed. Some of the smalls fight back, forming the SLF, Small
Liberation Front. Their leader is a man called Howard played by the famous
short actor Christopher Ryan who has starred in many comedies with Rik Mayall
and Adrian Edmondson. The SLF carry out direct action against the establishment
that oppresses them. Roy refuses to
integrate with his fellow residents, insisting over and over again that he is
"not a small! They've made a mistake!" One of the inhabitants of
Adelphi House is an elderly man called Fred who is the chairman of the "residents
association". He is a bureaucratic man who has delusions of grandeur,
holding pretentious meetings where his wife Lily keeps the minutes. In truth,
Fred is a kapo. He collaborates with
the government that regards him as subhuman and panders to the police, social
workers and officials in the hope that they will favour him above his peers. He
is an informant who passes on the private information of his fellow smalls and
constantly praises the authorities no matter how brutal and unjust they are. In
the end, like all such toadies, he is thrown under the bus as soon as he is no
longer useful. Roy tries to keep in
touch with George whose loyalties are torn between his suppressed affection for
Roy and his loyalty to his
domineering wife who is a typical small-hater. "But he is my
brother!" is George's catchphrase. For Heather, karma comes knocking when
her own son stops growing before he has reaches his "coming of
height" party. Naturally she blames her husband for the "small
genes" in his family that produced Roy .
Even as a child, I could tell that A
Small Problem was a blatant satire. In many societies around the world there
is such social stratification. The Uyghurs in China
are currently being treated like the smalls are in the series setting, and
worse. The programme was made in 1986, a few years before the end of the Apartheid system in South
Africa which clearly influenced it. There
are numerous other examples. A Small
Problem is a parody of such institutional human subjugation. It is also a
warning for the future. For example, suppose Black Lives Matter ever managed to
form a government; how do you think white people would be treated by such a
regime? The answer can be seen in A Small
Problem. The programme could be improved. The police and other officials are
portrayed as Machiavellian. They are all universally cruel and narrow-minded. None
of them ever try to justify the administration they serve or rationalize their
role in it. I would have preferred to have seen a few deeper and more complex antagonists,
people a bit more like George. I'd like one of them to have revealed some
humanity in his interaction with the smalls. I'd like to hear him explain why
he was "just doing my job, sir." or something like that.
Nevertheless, this is an excellent TV series, saved from destruction by
somebody with a video recorder in 1986 and Dailymotion in 2014. It is sad and disheartening
that so many people failed to grasp the satirical nature of the show. Are British
TV viewers not capable of more than one-dimensional thinking? I have taken an
active step myself in preserving A Small
Problem by mirroring it on my Facebook group Interesting Videos Public,
see: https://www.facebook.com/groups/2818551025092896.
Feel free to join; it is open to all.
See here for more information: https://hpanwo-voice.blogspot.com/2015/02/weighing-up-enemy-my-lucky-escape.html.
And: https://hpanwo-voice.blogspot.com/2020/06/the-man-in-high-castle-updated-review.html.
And: https://hpanwo-voice.blogspot.com/2020/02/good-omens.html.
And: https://hpanwo-voice.blogspot.com/2017/11/ufo-academy-on-one-show.html.
See here for more information: https://hpanwo-voice.blogspot.com/2015/02/weighing-up-enemy-my-lucky-escape.html.
And: https://hpanwo-voice.blogspot.com/2020/06/the-man-in-high-castle-updated-review.html.
And: https://hpanwo-voice.blogspot.com/2020/02/good-omens.html.
And: https://hpanwo-voice.blogspot.com/2017/11/ufo-academy-on-one-show.html.
Reminds me of the Bottom Inspectors in Viz. In other cultural marxism news Ben, I hear that Burger King in Japan have launched a black cheeseburger. The bun and even sauce is jet black made from squid ink. Black cheeseburgers matter I suppose. I hope Mcdonalds dont follow suit in this ghastly appeasement of the BLM scum
ReplyDeleteThe Japanese have odd tastes! I would eat a burger that colour. I'm tired of seeing people appease and pander to these criminal bigots. If they do that I would stop eating at Maccie D's, if I ever did in the first place.
ReplyDelete'Adelphi' House. Were the writers classical scholars? (As in the Oracle of Delphi.)
ReplyDeleteAn unusual choice of name, Laurence. I recall an interview with the writers in the Radio Times when I was a kid. One of them was very short himself.
ReplyDelete